- Blackmagic davinci resolve 16 system requirements update#
- Blackmagic davinci resolve 16 system requirements full#
- Blackmagic davinci resolve 16 system requirements professional#
This enables quick, multi-camera edits without a multi-cam timeline. Resolve will place it on a new track and match the position of the new multi-cam clip at the exact moment to the base clip. On the cut page, after creating in and out points on a different clip, you can select source override. Multi-Cam Match FrameĪs Grant stated in the presentation, editing multi-cam footage can still be a slow process, as you only make the edit after you see the point at which you want the camera to change. On the cut page, we have a smart insert button, which will drop footage from the source viewer to the nearest edit point. Long gone are the days when you accidentally inserted a clip to an area you didn’t mean to adjust. This allows the editor to keep throwing clips in from the media pool without having to reselect the clip. This compressed viewer will remain on the clip from the media pool. However, unlike the edit page (where if you chose to have one viewer and make an edit from the media pool) the viewer switches to the timeline viewer. On the cut page, the source viewer now shares the same space as the timeline viewer. As Petty said “It’s not just a fancy timeline.” Compressed Viewer
The secondary timeline has its own playhead, which will allow you to make edits while the playhead of the primary timeline remains fixed. For example, if you have a zoomed-in a portion where you intend to make a contextual edit but realize you should have deleted or trimmed the clip further down the timeline, instead of zooming out and losing your place, you jump up to the dual timeline and edit there. This timeline allows the editor to make quick changes to the overall timeline without zooming out of the base timeline.
Blackmagic davinci resolve 16 system requirements full#
There’s an additional timeline that displays all timeline clips at full length with minimalistic design - no clip thumbnail, no clip name, no audio waveform. Even the trim tools and selection tools have been combined into one. It’s designed to work on a smaller monitor, so for those working on a MacBook on set, or content creators working on the go, there’s now a larger field of view of the timeline and viewer, which isn’t bogged down by unnecessary panels or fixed UI settings. Petty explains that editing has evolved into two cultures: more traditional editors and people like YouTubers who are editing 2-3 videos a day and bypassing the typical editing structure. If the edit page is about capability, the cut page is about speed. The Cut Page is the 7th page added to Da Vinci Resolve, and it’s designed to cut the complexity of the edit page and to increase the efficiency of quick editing. Grant preferred the days when you would just drag all your media onto the timeline, cut, and delete what you didn’t need. Let’s take a look at what’s new - specifically the new editing features.īlackmagic founder Grant Petty said after a night of watching training videos that he felt disgruntled by trainers who spent time setting up bins and organizing their media. Before NAB, I assumed the majority of the updates would only be small course corrections and a few requested features, but some of the new additions pack a powerful punch. Well, it’s that time of the year again, and at NAB, Blackmagic announced Resolve 16. And with each iteration of Resolve, we saw a number of other updates, both big and small. Finally, in version 15 we were treated to the Fusion page, where Resolve users could eventually employ advanced VFX compositing without leaving the software.
Blackmagic davinci resolve 16 system requirements professional#
In 14 (they skipped 13), Blackmagic added the Fairlight audio page, a page dedicated to professional audio mixing. In 12.5 the editing page was finally good enough to pull users away from Premiere. Blackmagic, on the other hand, has completely reinvigorated Resolve with each new update. It seems like forever ago that we had such a substantial addition to an Adobe application that also made this much noise. The internet has been ablaze this week with the news of Adobe’s content-aware fill tool in the spring After Effects update.
Blackmagic davinci resolve 16 system requirements update#
And once again, this update is full of useful features you need to unpack.
Blackmagic Design has announced DaVinci Resolve 16 at NAB 2019.
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